Kids driving you wild this summer? Household chores getting you down? This one is for all of the hard-working homemakers out there. Aideen Barry’s, Not to be Known, is definitely one not to be missed.
Seduced by the concept of the ideal home-maker and the working woman as proposed by the media, Aideen Barry’s stop-motion film, Not to be Known, shows the artist overwhelmed by the monotony and magnitude of domestic chores in nightmarish scenarios. To maintain the tension between reality and aspiration, the artist’s Medusa-like hair of vacuum cleaner hoses prepares and cooks the perfect family meal, irons the laundry, whilst she ‘keeps up appearances’, sitting quietly at the kitchen table, sipping tea, and scrolling through visual images of the ‘dream’ kitchen – i.e. spotless and non-functioning – on her Smartphone.
The hair becomes so busy that it demands Barry’s body and drags her upstairs to make the bed, suggesting that adherence to her chores is a far greater need than maintaining an apparent quality of life. Finally, she chops off her vacuum tentacles in an effort to find her life outside the domestic space.
Barry’s performances are often physically and mentally demanding mirroring similar pressures on the female body which are exerted by our society. The dark humoured, uncanny film expands upon her interests in monachopsis – the subtle but persistent feeling of being out of place – and her exploration of obsessional behaviour in the context of suburban normality.
For details on guided tours, access and education visit: www.crawfordartgallery.ie
AIDEEN BARRY: Not to be Known
14 July – 4 November
Crawford Art Gallery, Cork